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Embark on Andrew Mwakalonge’s Creative Journey as a poet

INTERVIEWED BY DHAYANA ALEJANDRINA Welcome, Noire Family, In this interview, I had the pleasure to sit down with the talented and amazing writer, Andrew Mwakalonge, as she offers a captivating glimpse into her inspirational journey, delving into her roots, the reasons driving her creative endeavors, exciting future projects, and more. Please join me in welcoming Andrew Mwakalonge to Afrique Noire Magazine! Can you share a bit about your background and what initially inspired you to pursue writing/poetry? All my life people have always looked at me and instantly decided what I am before I have the chance to tell my own story. People are always trying to put a leash on me which they turn noose when I try to be me rather than what they see me as. And I don’t have any malice or contempt for them, well at least not anymore, because I know someone else probably did the same thing to them. I am working my way out of this hold around me and I write these poems, taking pictures of my heart so that I remember what it feels like when I finally have the voice to tell people my own story. I’ve spent most of my life with my family in Morogoro, Tanzania but I’ve spent most of my late years in Dar es salaam where I go to school. For as long as I can remember I’ve always admired free inquiry, curiosity and liberty. I believe that everyone at the very least is entitled to freedom and the right to be different. For a long time I’ve looked upon my society and I can’t help but notice tyranny, orthodoxy and oppression and the pain they bring about. So many innocent people suffer and nobody does anything about it. What’s even scarier is that there is an air of hopelessness amongst the oppressed. And what’s heartbreaking is the ignorance amongst the majority about what is going on. The ignorance and the continued efforts by the oppressors to keep the oppressed in the dark are what perpetuate this horrid state. After years of witnessing and experiencing this oppression I decided I could no longer bear it and had to do something- anything- about it. Doing nothing felt like being complicit in the atrocities. Ray Bradbury puts it better when he says in Fahrenheit 451 “Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.” I came to learn that it is only through art that I can begin to bring awareness about what is happening in my society and hope to bring about change. Because art I believe is the epitome of free inquiry and liberty. And again Ray Bradbury says it better in Fahrenheit 451 when he expresses the qualities of a book “Number one, as I said, quality of information. Number two: leisure to digest it. And number three: the right to carry out actions based on what we learn from the interaction of the first two.” What Bradbury says I feel is exactly what my society, any society needs- different ideas being expressed and people having the right to contemplate and decide what’s best for them. A society in which there is free expression of ideas will never stagnate in the dark and its people will never stand oppression. With my work I hope to revive the idea of free inquiry-the spirit of freedom- to people. I have no interest in imposing my ideas on people, I only wish for the people to be aware, free and enjoy the right to be different. This is the first step to alleviating all the forms of oppression we suffer. How does your identity, including cultural background, influence your writing and the themes you explore? In what ways do you navigate the intersection of your personal identity and the broader cultural context in your work? I cannot claim to know a lot about the culture of my great grandfathers—the culture that Africans are striving to revive—the culture Africans had before a new one was imposed by the ship and enforced by the whip. I observe many Africans endeavoring to revive the culture of their great grandmothers—their fashion, dances, rituals, and gods—the true essence of African culture, and I deeply admire that. However, through my work, I convey to people that as horrific as the experiences of our ancestors were, they are in the past. I emphasize that it’s impossible to resurrect the exact culture of our ancestors. Instead, I remind them that culture is alive and dynamic, destined to evolve even without external influences. I urge people to recognize that we are also African and will one day become ancestors ourselves. Let us release the grip of the past and the yearning for what could have been. Instead, let us focus on cultivating our own culture—one that reflects the realities of the present era—a culture that thrives freely. How would you describe your creative process? Do you have any specific rituals or routines that help you get into the writing mindset? We inhabit a relative and subjective world. The sun may appear as luminous as a billion candles to the eye, yet both are equally silent to the ear. This analogy extends to various aspects of our lives. What may be painful for you could bring joy to me, illustrating the subjectivity of experiences. However, this does not hold true for emotions. Pain experienced by one is equally felt by another, regardless of the events that triggered it. When I write a poem, I distill my inspiration to the raw emotions it stirs within me—anger, love, fear—and construct my narrative upon this emotional foundation. The specific events that sparked my inspiration hold little significance to my poem. Therefore, when I seek to write a poem, I endeavor to freeze the emotions I feel about something by relaxing as much

April 19, 2024

Features

Ohiri Studio – Discover SS 23 collection

Ohiri Studio is a creative studio established in 2012, with its base spread across Paris and Abidjan, Ohiri exists to bridge the gap between ancient arts and crafts and the contemporary landscape. Reinterpreting the aesthetics and symbolism of body ornamentation made by ancient cultures for today, Ohiri uses jewelry as a platform not only for adornment but also for object art. Discover their SS 23 collection – OUTLINE 2 Discover more about Ohiri Studio here on Instagram.

April 16, 2024

Beauty/Fashion

Balga: Tunisia’s Heritage in Footwear

Founded by Safa Boudokhane in 2019 Introducing to you, BALGA, a footwear brand inspired by the rich heritage of Tunisia. Safa spent her younger years watching her mother’s skilled hands delicately embroider intricate designs using a traditional tool known as ‘El Gorgef.’ Growing up in a household brimming with creativity, Safa found herself deeply inspired by the craftsmanship she observed. Driven by her desire to honor her mother’s artistry and provide her with a renewed sense of purpose, Safa built her shoe brand, showcasing her mother’s embroidery as an essential component. Safa’s vision was to breathe new life into her mother’s craft, infusing it with contemporary designs and creating a platform for her talent to be celebrated. In building BALGA, Safa aimed to give her mother a sense of rejuvenation, pride, and recognition, while also preserving the rich heritage of Tunisian traditions. Balga has since been transformed from head to heel, re-imagined and brought to life in new shoe collections every year – turning footwear into a work of art. Follow Balga Design here on Instagram Join Noire family by following us here on Instagram and also on TikTok.

April 15, 2024

Poetry

Ink & Inspiration: Conversations with Poet Fedana Toussaint

INTERVIEWED BY DHAYANA ALEJANDRINA Welcome, Noire Family, In this interview, I had the pleasure to sit down with the talented and amazing writer, Fedana Toussaint, as she offers a captivating glimpse into her inspirational journey, delving into her roots, the reasons driving her creative endeavors, exciting future projects, and more. Please join me in welcoming Fedana Toussaint to Afrique Noire Magazine! Can you share a bit about your background and what initially inspired you to pursue writing/poetry? I am a Haitian poet from Toronto, Ontario. Through numerous evolutions, writing and connecting have become my means of making sense of it all. I observe countless individuals experiencing pain, love, longing, grief, and silence, often struggling to articulate their emotions, while I find myself equipped with the words. In a world where love seems scarce, I possess an abundance. Writing is my responsibility; it’s using a natural gift to remind people that the human experience isn’t as solitary as it may appear. We all undergo moments of grief, love, pain, and longing, all seeking connection. I willingly position myself as that bridge to connection. How does your identity, including cultural background, influence your writing and the themes you explore? In what ways do you navigate the intersection of your personal identity and the broader cultural context in your work? My life journey has been marked by displacement, discrimination, and the stifling of trauma that doesn’t align with societal norms. I’ve encountered the distinct misogyny known as misogynoir at every turn. Having navigated both the artistic realm and the corporate world, particularly in the legal field, I’ve felt the sting of being a Black woman who doesn’t conform to expectations. I write from a place of understanding the struggles of little Black girls silenced by their abusers, of daughters abandoned by their fathers, and of children forced to raise themselves. My words echo the experiences of Black women navigating a world that too often dismisses their qualifications despite their education. My depth of understanding stems from a wealth of lived experiences. I speak for the heartbroken, the lovers navigating a dating scene devoid of genuine love, and those who have lost love to violence and ego. I don’t detach myself from my work; instead, I intertwine my experiences with my art. People don’t just want to be lectured; they want to be engaged, felt, and heard. I proudly declare that my art achieves just that, delving deeper into the human experience than mere “writing” ever could. How would you describe your creative process? Do you have any specific rituals or routines that help you get into the writing mindset? My creative process is honesty. I navigate my own truth and connect it with the truth of others. Whether it’s at a coffee shop, with music in my ears, or quietly feeling the world around me, my approach is organic – I simply live life as it comes. Who are your literary or poetic influences, and how have they shaped your work? Nikki Giovanni is my favorite voice to listen to. She captures life and stories in a surreal way. Surrealism is not just for visual artists; it does wonders in poetry, and she masters her voice so well that you could read a piece and be transformed by it. You could find yourself in her words, and that’s important. Maya Angelou lived so much life, our stories are so similar that sometimes I feel like I’m reading a biography of things I experienced and the alchemy of making them beautiful. She inspires me by showing me that my story is enough and that it doesn’t end at the bad stuff. Langston Hughes feels like a sermon on blackness and beauty. He speaks to his time so well, and I aspire to speak to mine just as clearly and beautifully. Bell Hooks and Toni Morrison bring such intellect to their prose and poetry that you learn a hundred things in every sentence. I aspire to capture thoughts profoundly and to have them be adapted into such beautiful and impactful images. I want to be the poet that curriculums are created for, and it’s because of them. Pablo Coelho is the first time I ever read the word Alchemist and I am forever transformed. What challenges do you face as a writer/poet, and how do you overcome them? My greatest challenge lies in believing in my voice and overcoming the perfectionism in my work. I often question whether my intentions will resonate through the stroke of my pen, and whether my output is either excessive or inadequate. There’s a persistent fear that my message won’t reach the audience in time. To combat these doubts, I confront the reality that imposter syndrome isn’t just a concept—it’s a tangible struggle. Despite my inner doubts, I remind myself that I deserve to be heard and felt, regardless of how often I try to convince myself otherwise. Could you share one of your favorite pieces or an excerpt from a project that holds personal significance? What does it mean to you? I heard a black woman scream today She was on her way to the furnace To lay the sun at its feet And command the fire to let her sunshine I watched her black man panic at her side She stares at him and tells him Adam keep your damn feet on the ground And your wits about you I need one of us conscious So blink now if you must Cause they will take our sun And call me nothing but corpse Nothing but black hole If you don’t keep your eyes on me I watched beings dressed in white and blue Surround the cloud where she laid her brown She halts her protest to the pain to pray “GOD PLEASE LET THE WATER THAT WASH ME” NOT THROW ME OUT OF THIS BODY” Her belly entered the light first She asks for comfort And

April 13, 2024

Poetry

Exploring the World Through Words: A Conversation with Writer and Mental Health Advocate Kris Crews

INTERVIEWED BY DHAYANA ALEJANDRINA Welcome, Noire Family, In this interview, I had the pleasure to sit down with the talented and amazing writer and mental health advocate, Kris Crews, as she offers a captivating glimpse into her inspirational journey, delving into her roots, the reasons driving her creative endeavors, exciting future projects, and more. Please join me in welcoming Kris Crews to another episode of Noire Poetry Series! Can you share a bit about your background and what initially inspired you to pursue writing/poetry? Writing became my initial form of therapy during my high school years. Struggling to express my feelings and cope with stress, I turned to pen and paper as a means of solace. Each time I wrote, a sense of freedom enveloped me, and the chaos of life began to unravel into clarity. Journaling became my compass, guiding me to forge deeper connections with myself and others. It’s through writing that I feel most connected to my true self. With a pen in hand and paper before me, I tap into vulnerability, authenticity, and raw emotion, allowing me to navigate the depths of my innermost thoughts and feelings. How does your identity, including cultural background, influence your writing and the themes you explore? In what ways do you navigate the intersection of your personal identity and the broader cultural context in your work? As a Black woman, I’ve discovered that much of my writing revolves around themes of mental health and self-preservation. The world often demands an extraordinary amount from Black women, creating a landscape that can feel overwhelming to navigate. Dealing with imposter syndrome, the pressure to fulfill endless expectations, and the mandate to remain perpetually strong can be particularly daunting. There’s a pervasive fear that we aren’t deserving of more. Despite encountering these harsh realities, I’ve found that they’ve propelled me toward greater bravery and intentionality in believing in myself. Each obstacle I’ve faced has taught me invaluable lessons: that I am capable, intelligent, and that strength doesn’t always mean shouldering burdens alone, but rather striving to do my best in every circumstance. These realizations have empowered me to uplift others, encouraging them not to confine themselves within predetermined boundaries. Instead, I advocate for creating space, whether it’s at the table or within society, when it isn’t readily available. It’s through this journey of self-discovery and advocacy that I’ve found my voice, and I’m committed to amplifying the voices of others who may feel marginalized or unheard. How would you describe your creative process? Do you have any specific rituals or routines that help you get into the writing mindset? I make a personal commitment to write at least three times a week for a minimum of 30 minutes, allowing for more if the creative energy is flowing. Before diving into my writing sessions, I take a moment to meditate and set clear intentions for what I hope to achieve. Occasionally, I’ll complement this practice by playing soothing music in the background to further center my focus. This dedicated time serves as a sanctuary for me, a space where I can effectively tune out external distractions and immerse myself fully in the act of writing. Whether the output is substantial or not, I embrace each session as a victory. This mindset encourages me to persist in my writing endeavors, knowing that every effort contributes to my growth as a writer. Who are your literary or poetic influences, and how have they shaped your work? Alex Elle, Rob Hill Sr, Toni Morrison, Chidera Eggerue, and Diego Perez have all taught me to confront my fears and embrace new perspectives. Their wisdom encourages me to face challenges head-on, allowing me to feel more and fear less about the outcomes, and to simply start. What challenges do you face as a writer/poet, and how do you overcome them? Writer’s block, a common obstacle creatives encounter, has often hindered my progress. In the past, I found myself paralyzed by self-doubt or the mistaken belief that my initial writing must be flawless. However, I’ve adopted a new approach: I now view writing as a tool to capture my emotions and thoughts in the moment. Rather than striving for perfection from the start, I allow myself to freely express myself, knowing that I can revisit and refine my work later with a fresh perspective and a meticulous eye. Could you share one of your favorite pieces or an excerpt from a project that holds personal significance? What does it mean to you? One of my favorite pieces I’ve written comes from my first book, “You Owe it To Yourself.” It reads, “Silly of me to be afraid of how it may end when I haven’t even started.” It’s a reminder to never sell myself short and to pursue something even if I’m unsure of the outcome. There’s so much for me to experience and embrace, and I don’t want to hinder myself from experiencing it because of what I think may or may not happen. What advice would you offer to aspiring writers or poets aiming to leave their imprint on the literary world? To go for it and allow yourself to be seen! Share your work because you never know where it can take you. There are various metrics we consider when it comes to defining success—like how many people like your work or how much you’re getting paid for it. While these metrics hold importance, especially for financial sustainability, it’s equally crucial to release work that resonates with you and brings you fulfillment. Even if your work doesn’t receive a large audience, it doesn’t diminish its value. Sometimes, our writing serves as a form of self-expression, evolving into a means to connect with others. Can you share details about your ongoing writing projects? What themes or ideas are you currently exploring? I am currently working on my second book. I don’t want to give too much away, but it does focus on the theme of rebirth,

April 5, 2024

Features

Exploring the Words Through Words: A Conversation with Storyteller Kryxtian Black

Welcome, Noire Family, In this interview, I had the pleasure to sit down with the talented and amazing writer Kryxtian Black as he offers a captivating glimpse into his writing journey delving into his roots, the reasons driving his creative endeavors, and exciting future projects. Please join me in welcoming Kryxtian Black to Afrique Noire Magazine INTERVIEWED BY DHAYANA ALEJANDRINA Embarking on a captivating exploration, we recently connected with a talented and amazing writer, Kryxtian. In the following interview feature, graciously shares his thoughts and experiences, providing a glimpse into his world. Can you share a bit about your background and what initially inspired you to pursue writing/poetry? I’ve written since high school, and used it as a means of catharsis. I was greatly inspired by the artistry and life of Michael Jackson, and began making music at the same time I began poetry. I admire who he is, and his resilience. I feel that the most resilient of people bear an innocence that can neither be thwarted, nor spoiled by any of the world’s corruptive ways. I want to inspire people in a similar vein. I want them to know that their innocence and their justice are things that can not be revoked by any power external from themselves. I want to strike the love of love within their hearts, and that is my greatest wish for my poetry (and music alike). How does your identity, including cultural background influence your writing and the themes you explore? In what ways do you navigate the intersection of your personal identity and the broader cultural context in your work? The title of my first manuscript is ‘Killer Wails,’ a name that holds deep personal resonance for me. The connection runs profound as my legal name, Kristian Wilson, shares the same initials as Killer Whale. Moreover, these majestic creatures have frequented my dreams since childhood, imprinting themselves into my subconscious. As someone of mixed Afro-Latino and German/Ukrainian heritage, I find a profound connection with the monochromatic nature of the orca. Their distinctive black and white coloring, designed to blend seamlessly with both the darkness of the abyss and the brightness of the surface, mirrors the complexities of my own identity. This intricate connection serves as a poignant reflection of the multifaceted layers that shape my existence. There’s a depth to this affinity that extends far beyond mere symbolism, resonating with the essence of who I am at my core. While there are countless layers to this connection, these are just a few facets of how the killer whale, or orca, encapsulates my journey and identity. How would you describe your creative process? Do you have any specific rituals or routines that help you get into the writing mindset? I’m drawn to the tranquility of early mornings for my writing sessions. Currently, I’m deeply immersed in crafting an oceanic fiction novel. On the mornings that I can, I eagerly rise with the sun, ready to pour my creativity into the project. Being a father of two little children adds to the whimsicality and dreamlike nature of the book, and I do my best to approach my stories like they would; with a fresh mind and open heart, ready to receive whatever the Spirit wants me to. Who are your literary or poetic influences, and how have they shaped your work? Like I said above, Michael Jackson is a big one. Most people don’t know, but he actually released a poetry book in 1992 called ‘Dancing the Dream.’ That book has inspired my literature a lot, as well as Kahlil Gibran and Saul Williams. Recently, after much seeking, I’ve returned to the teachings of Jesus Christ (also known by his Jewish name Yeshua HaMashiach). I have been researching the original Aramaic teachings in order to get a more accurate grasp on who he is and why he matters so much to my life. Neil Douglas-Klotz is a translator who has penned a book called ‘Prayers of the Cosmos’, which shows the original Aramaic Lord’s Prayer, Beatitudes, and other famous scriptures. When it comes to Gibran’s writings, I’m particularly in love with his book ‘Secrets of the Heart.’ I’ve garnered a deep sense of beauty from his work, and have reaffirmed my own values in terms of faith, reason, and love. . Saul Williams has inspired me to extend the length of my works, and to play more with language in a way that showcases my own multidimensionality through its own multidimensionality. His piece’ Children of the Night’ struck a chord with me on a profound level. I also really love the children’s book ‘Life Doesn’t Frighten Me’ by Maya Angelou, illustrated by Jean-Michel Basquiat. To me, it is such a legendary work of creativity, and Scott Nagatani’s musical read-along on YouTube does it beautiful justice. In terms of storytelling (fiction) I’m heavily inspired by anime and works of animation like Children of the Sea, Princess Mononoke, and Avatar: The Last Airbender. What challenges do you face as a writer/poet, and how do you overcome them? Achieving publication and securing a lucrative book deal are pivotal milestones for me. They would not only allow me to enhance my creative endeavors but also enable me to elevate my entire process by incorporating animation, creating video games, and exploring other innovative mediums. With unwavering faith, I trust in God’s guidance as I diligently seek out literary agents to submit my work to. Also, I try not to take myself too seriously. I know that the books I have within me (of all genres… poetry, fiction, etc.) are one-of-all-kind, and they’ll reach the readers they are meant to! Each submission is made with a heart full of faith, knowing that the right opportunity will manifest at the perfect time. Could you share one of your favorite pieces or an excerpt from a project that holds personal significance? What does it mean to you? Below is a piece from my debut manuscript, ‘Killer Wails.’ A bit of

March 30, 2024

Beauty/Fashion

Rooted in Tradition: How African Designers Are Weaving the Everyday into High Fashion

Written by Carmel Kundai Makaya But what you don’t know is that that sweater is not just blue, it’s not turquoise, it’s not lapis, it’s actually cerulean. And you’re also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. . . And then it, uh, filtered down through the department stores. This is a quote from the iconic 2006 film Devil Wears Prada. Meryl Streep delivers this impassioned monologue to Anne Hathaway’s character, an aspiring journalist who lacks an appreciation for the art and commitment that is the fashion industry. The message is clear: the decisions made by high fashion designers and executives impact the more accessible parts of the fashion industry. From colours to fabrics, luxury fashion experiences the moment first, then made-to-order, and ultimately, fast fashion. While Devil Wears Prada is rather satirical in nature, this system of bringing fashion to the masses rings true on the global stage, see the conversation about fast fashion copycats. However, when we take a look at African designers, the reverse seems to ring more true. The everyday elements of African culture are what is influencing high fashion. A few months ago, Afrique Noire had the honour of spotlighting the collaboration between Marega Assetou and Ivorian brand Kaoka. Assetou, a fourth generation fabric dyer, uses the traditional methods learned from her mother to bring an added sense of groundedness to the pieces in Kaoka’s collection. Doreen Mashika, a Tanzanian brand also featured in 2023, shares this “rooted in culture” mentality, with each garment capturing the beauty of the intersection between the various cultures residing in Zanzibar. For decades, what is African has been viewed as primitive, ugly, and even unimportant to the global creative scene. But even more so, for centuries, creatives across the continent have been celebrating the dyes, fabrics, and stories that have marked their lineages. Through this diligent work and the support of their local communities, the work of the creatives who have come before is carried on. Designers are showcasing their vibrant African heritage on stages like Dakar Fashion Week, Lagos Fashion Week, and across the world. Thank you for taking the time to read. Remember to become part of the Noire family by following us on Instagram and TikTok as well. Show your appreciation for the brilliant writer behind this masterpiece by following on Instagram.

March 22, 2024

Features

9 Models, Different Stories – Letters of The Unheard.

Curated By Nicolette Alexandra Brito-Cruz Letters of the Unheard is a literary and visual photography project where models pour their hearts into heartfelt letters to their past selves, recounting their path of growth and embracing their identities. The transformative photoshoots capture the raw, emotional moments described in their letters, inviting you to witness the incredible power of self-reflection and self-love. Nine models from diverse regions of the world have contributed to bringing this project to life, generously sharing their personal stories with us and with you. Delve into the captivating narratives of these nine creative and captivating individuals. Model 1 – Taleha Whyte, Jamaican. Leaving my country of birth at two years old was what I perceived as one of the only experiences that connected me to both of my parental roots while being raised by a single mother in a post-colonial power country. Leaving Jamaica is my origin story not because it was the country I was born in, but because I unconsciously excluded it from my identity growing up. Assimilating into the American culture often forces first-generation children like me to embrace a history/ culture non-congruent to that which we are. Consequently, I ended up adapting an identity that was embarrassed to embrace my tribal culture and ancestral history. In more relatable terms I became a replica of the oppressing powers placed upon my country and people. Pulling from my indigenous background when would enhance the hyper-individualistic culture of America that was instilled in me. Redirecting my life to Rome Italy to attend John Cabot changed my entire perspective on embracing my Jamaican background. Now, not only am I surrounded by global students from over seventy different countries, but we get to work collectively harnessing our individual experiences to better understand one another. While this may be perceived as normal or expected by most for someone like me it’s a miracle. Once leaving the United States the contradictions about assimilation and the distinctions surrounding our perception were so evident, that it acted as a catalyst to appreciate and embrace my Caribbean culture. Reclaiming my culture also acted as a catalyst for my creative journey as well, being that John Cabot is a liberal Arts university and Rome is also a post-colonial power country. The irony of leaving one colonial country only to reclaim my indigenous identity in another led to several painful self-reflective moments. Pain which I have now transmuted into power, public speaking, and progress for both me and my people. Discover more about Taleha Whyte here Model 2 – Janane Ashraf Saad Hassaan, Egyptian. Long Live the Egyptian Woman Ya baba, I could address this to the white boy who doesn’t like political art I could address this to the white lady who wants to liberate us with bikinis I address it instead to you, daughter, sister – woman. Do you know where you come from? Do you know who you come from? They teach you about Elizabeth and Napoleon, They teach you, maybe even, about Cleopatra, But do you know? Do you know Hoda Shaarawi and Doria Shafik? Do you know, simply, the stories of your grandmother? Do you know the peace of sipping on shay bel ne3ne3, and closing your eyes to the voice of Um Kulthoum? They claim you are oppressed for the lack of skin they can lay their eyes on, but call you savage when you dance in the ways most natural to you. They say, sorceress, because they cannot fathom a body so free. Do you know Samia Gamal and Shafiqa Al Qibtiyya? You need not look far to find your power, The blood of yours runs through our soil, as the Nile runs through your veins. Ya amar, you are magic, you are liberty personified. Do you know lady liberty? The Falah7a. Discover more about Janane Ashraf Saad Hassaan here Model 3 – Skyla Bigale Priya Shangazi Ntsikilelo Margo Katenga, Malawian and South African. Warm Heart of Africa to the World Liberating. Welcoming. Enlightening. Peaceful. These are words that I associate with being a citizen of the world. It means that I create a home and a safe space within myself, without the fear of being rejected and neglected. There is a certain intimacy and tenderness that comes with recognizing your inability to be confined to a certain place and your ability to adapt. Instead of being depressing, embarrassing, and isolating, it allows me to be versatile and exposed, to take space without infringing on others. Citizen of the World is about creating opportunities for me to learn about other cultures, but also share my roots. It means I get to wear my roots on my sleeves, while I interact with places that are not my own. Creating opportunities for chintejes, Chichewa, and I Skyla Shangazi Bigale Priya Nstikilelo Geneva Margo Katenga to be welcomed and at home no matter where I go. Discover more about Skyla Bigale Priya Shangazi Ntsikilelo Margo Katenga here Model 4 – Natasha Kalondu Kisila, Kenyan. This white world will never love me This white world will never love me This white world will never love me, for simply existing. I must sit and allow a white men dictate what I “should” be. Catering to each of them. My hair is too short, he swiftly swayed his hand to reference what a woman’s hair should look like. A small brunette woman, loose curls, past her shoulders. Now, how do I help this situation? This body I was born into, one that I have grown to love. Nothing about who I am has the power to trigger insecurity. So we stare at one another, he finally remembers he’s in the middle of providing a service. But that’s only after he has made sure everyone in the vicinity has heard his criticism, he got some laughs. I was the loudest; I just wanted it to be over. The same sentiment rises as my mother and I stand hand-in-hand at an Italian airport. They must

March 16, 2024

Features

Behind the Words: Explore the Extraordinary Mind of Writer Nicolette Alexandra Brito-Cruz in This Exclusive Interview!

INTERVIEWED BY DHAYANA ALEJANDRINA Welcome, Noire Family, In this interview, I had the pleasure to sit down with the talented and amazing writer, Nicolette Alexandra Brito-Cruz, as she offers a captivating glimpse into her inspirational journey, delving into her roots, the reasons driving her creative endeavors, exciting future projects, and more. Please join me in welcoming Nicolette Alexandra Brito-Cruz to Afrique Noire Magazine! Can you share a bit about your background and what initially inspired you to pursue writing/poetry? My name is Nicolette Alexandra Brito-Cruz. I am a first-generation, fourth-year undergraduate student pursuing a Bachelor of Arts in Journalism & Media with a specialization in Global Media. Additionally, I am working towards a Bachelor of Arts in Italian Studies with a minor in Women and Gender Studies. As a first-generation Dominican-American, my inspiration to pursue writing and poetry originates from my unwavering passion for exploring issues of decolonization, race, ethnicity, gender, sexuality, and abolition. I consistently find that a significant portion of my poetry and visual art relates back to the exploration of my diverse identities. How does your identity, including cultural background, influence your writing and the themes you explore? In what ways do you navigate the intersection of your personal identity and the broader cultural context in your work? My work is deeply influenced by my Afro-Dominican-American cultural background, particularly in the context of my current residence in Rome, Italy, where Caribbean culture is notably absent. Afro-Caribbean culture and spirituality serve as significant wellsprings of inspiration for me. I navigate the confluence of personal identity and a broader cultural milieu by intricately incorporating these elements into my narratives, celebrating both the beauties and misfortunes of various cultures. Through my poetry and photography, I delve into the multifaceted layers of being Afro-Latinx. Additionally, I leverage my digital presence and privilege to spotlight and uplift communities that have played pivotal roles in the pursuit of Black Liberation, such as Haiti, as well as various cultural groups grappling for liberation, including Palestine and Bedouins/Bedoons in the SWANA region, among others. I firmly believe in the importance of utilizing one’s privilege, regardless of its extent, to advocate for the liberation of all people. How would you describe your creative process? Do you have any specific rituals or routines that help you get into the writing mindset? My creative process is fluid. Although I don’t adhere to strict rituals, I believe in advancing my ideas, even in uncertainty. This approach frequently results in unexpected and aesthetically pleasing forms in my work. Inspiration is drawn from various sources, particularly when exploring diverse cultural backgrounds and delving into the historical contexts of traditions and practices. Who are your literary or poetic influences, and how have they shaped your work? I draw inspiration from a diverse range of literary and poetic influences, with a particular emphasis on Black and Arabic literature. Mahmoud Darwish stands out as one of my favorite poets due to his profound connection of all his works to his culture and religion. What challenges do you face as a writer/poet, and how do you overcome them? One challenge involves questioning my work and ideas. I overcome this obstacle by embracing uncertainty and forging ahead with my creative instincts. More often than not, my ideas evolve into something unexpected and beautiful. How would you characterize your writing style or poetic voice? Are there specific elements or techniques you consciously incorporate into your work? My writing style can be characterized by thought-provoking narratives, primarily centered around spirituality. Even poems that do not directly address social justice still connect to spiritualism and Afro-Caribbean religion in unconventional ways. How do you envision your work resonating with readers? Is there a specific message or emotion you aim to convey? I aspire for my work to resonate by cultivating a sense of community and belonging, especially for those contending with societal injustices. My objective is to dismantle barriers and establish spaces where diverse voices are not only embraced but also celebrated. Could you share one of your favorite pieces or an excerpt from a project that holds personal significance? What does it mean to you? My poem “Old Enough to Understand” was published in the 5th issue of Rejected Lit and Heirloom of Shame is one of my recent poems. Heirloom of Shame My genitalia is not a symbol of life. I refuse to use it to birth the next generation of unprepared, culturally dissociated servants to a society that loathes them. I will not give in to the fear that by not doing so, I will be shamed in accordance with the traditions of “my” culture. Creating, growing, and nourishing a child from my own stomach and breasts is a privilege that has become an unwritten law established by the hierarchy of the patriarch. The process of childbirth is a phenomenon that the male body was not created to handle, and yet they have somehow found a way to infest it with poisons and lies dating back to 1492 when La Hispanola’s first invader sailed the ocean blue. My Dominican mother’s mind is unconsciously rooted in the deepest seed sowed during this time. She tells me I’m selfish for condemning her prayers about my “future children” and that this was what I was created for, to create. Little does she know that because of people like me, she has the right to vote. Because of people like me, she has the choice to remain single and not be forced into marriage. Because of people like me, the world is waking up and correcting its mistakes because we refuse to take their shit. My “learned selfishness” is the reason I’m not afraid to snatch back what is mine and, on the contrary, do so with pride. Regardless of whether or not I have to shout at the top of my lungs to be heard by a crowd of minuscule cis-gender, straight, elderly, white men or march until my feet can no longer carry my fighting body, this

March 13, 2024

Beauty/Fashion

Step into the Cultural legacy of Doreen Mashika’s Fashion, Housed in Zanzibar – A Must-Read Fashion Article

Doreen Mashika, a fashion brand hailing from the vibrant island of Zanzibar, embodies the essence of beauty and diversity. Inspired by the cosmopolitan and multi-cultural nature of Zanzibar, the brand seamlessly weaves together tradition and contemporary style to create stunning fashion pieces. Zanzibar, A Source of Inspiration: Zanzibar, with its cross-winds and historical trading routes, has long been a melting pot of cultures and influences. Doreen Mashika draws inspiration from this rich heritage, infusing it into every design. The brand celebrates the island’s diverse cultural tapestry, paying homage to its African, Arab, Indian, and European roots. Merging Tradition and Modernity: One of the defining characteristics of Doreen Mashika is its ability to blend traditional elements with a modern twist. Each piece tells a story, incorporating traditional Zanzibari craftsmanship, vibrant colors, and intricate patterns into contemporary silhouettes. This fusion creates a unique and captivating aesthetic that resonates with fashion enthusiasts worldwide. Global Recognition: The innovative designs and exceptional craftsmanship of Doreen Mashika have gained global recognition. From fashion shows in Paris to collaborations with international designers, the brand has made its mark in the fashion industry. Celebrities and fashion influencers have also fallen in love with Doreen Mashika’s unique creations, further elevating its status on the global stage. Doreen Mashika showcases the beauty and diversity of the island through its exquisite designs. By merging tradition and modernity, the brand creates fashion pieces that are not only visually stunning but also tell a story. With its commitment to empowering local artisans and celebrating Zanzibar’s cultural heritage. If you’re looking to add a touch of Zanzibar’s beauty and cultural heritage to your wardrobe, Doreen Mashika is definitely a brand to follow. Their unique designs and commitment to craftsmanship make each piece a true statement of style and artistry.

November 23, 2023